In a sunny city, there once lived a boy—full of life, kindness, and endless curiosity. He was the kind of boy who could never sit still, always looking for the next adventure, always eager to explore the world around him. He stood up for people, no matter who they were. It didn’t matter if it was a close friend being bullied or a stranger on the street facing injustice—he would step in, often before he even had time to think about it. People admired him for his courage, for the way his eyes sparkled with hope and fearlessness, the way he always seemed ready to take on the world.
But what people didn’t see was the quiet longing that simmered beneath his bravery. For all his boldness, he carried a loneliness within him, a desire to belong, to be truly understood. And there was something else—something that changed him, though he never spoke of it. As he grew older, this longing deepened, though it was more than just the desire to fit in. Something had happened, something that made him question whether being seen was worth the risk. He had opened himself up once before, and somewhere along the way, it had hurt him. So, he chose not to talk about it, not to let it show. Instead, he found a safer way to navigate the world.
That’s when he found solace in the theater. It became his escape, his refuge, a world where he could disappear into roles that weren’t his own. On stage, he didn’t have to be the boy everyone knew, the boy who always smiled and always seemed to have it all together. On stage, he could be anyone—a villain, a hero, a lover, a stranger. He could let the emotions of these characters wash over him, allowing him to feel things he couldn’t express in his own life.
But of all the roles he played, there was one that resonated the most deeply: the role of a man without a soul. It wasn’t just a character in a play to him; it became a way to cope, a way to hide the parts of himself he was too scared to show the world. The role gave him a strange kind of comfort. As long as he was pretending to be someone else, he didn’t have to face his own fears, his own vulnerabilities. He didn’t have to ask himself who he really was or what he really wanted. The mask let him be present but absent at the same time—seen, but never truly known.
Years passed. He grew older, and the theater became his second home. It was where he felt most in control, most comfortable. But the roles he played—especially the one without a soul—started to take on a deeper meaning. He began to feel as if the mask wasn’t just a character on stage anymore—it was part of him. For years, he convinced himself that he was safe behind it, that it was better to hide, better to shield himself from the world’s judgment and rejection. But as time wore on, something began to gnaw at him. The emptiness he thought he could keep at bay started to grow, slowly and quietly, but undeniably.
There were nights when he would lie awake, staring at the ceiling, feeling the weight of it all press down on him. He wondered if people would still admire him if they really knew who he was. Would they still care for him if they saw beyond the roles and the confidence, beyond the masks he had been wearing for so long? Or would they turn away? Would they see him as weak, as broken? The fear of being vulnerable kept him locked in this cycle. It was easier to be someone else. Easier to play a part. Easier to hide. But easier didn’t mean better. And deep down, he knew that.
The years passed, and the theater continued to be his sanctuary. But one day, unexpectedly, the play that had become his home for so long was canceled. The final performance ended, and the theater lights dimmed for the last time. As the applause faded, so too did the character he had lived through for so many years. For the first time in what felt like forever, he found himself standing on an empty stage, staring out at the vacant seats. There was no audience, no applause, no role to play. And for the first time, he felt something he couldn’t quite name. It wasn’t relief, but it wasn’t grief either. It was something in between—a hollow kind of confusion, a sense of being untethered.
The next day, the director, a man who had seen him grow from a young boy into the actor he had become, called him in for a conversation. The director was a quiet, observant man, the kind of person who always seemed to know more than he let on. “We need to talk about your future,” he began gently, seeing the uncertainty in the actor’s eyes. The actor, feeling a knot tighten in his chest, replied, “What role do you have in mind? I don’t think I’m fit for anything else.”
The director paused, considering his words carefully. Then, with a kind smile, he said, “This time, you will play yourself.”
The actor stood there, frozen. Himself? The idea hit him like a wave, overwhelming and confusing all at once. His mind raced, searching for meaning, for something to hold onto. Who am I without the roles? he thought. Who am I without the masks, without the lines, without the stories that have always guided me? The director’s words echoed in his mind, but instead of clarity, they only stirred more questions.
He left the theater in silence, his footsteps echoing in the empty hallway. As he walked through the city streets, a whirlwind of thoughts rushed through him. He had spent so many years being someone else—on stage, in life, everywhere. How could he just be himself now? Who was he, really? Without the masks, without the characters to hide behind, what was left of him?
He felt lost. More lost than he had ever been. And for the first time, he had no script to follow. No lines to memorize. No character to become. He wandered through the city aimlessly, trying to figure out what the director’s words meant for him. The sky darkened, and he found himself sitting on a park bench under the dim light of a streetlamp. The city was quiet, almost eerily so,
and the night felt heavier than usual.
He stared up at the stars, his mind still tangled in confusion. He thought about the roles he had played, the masks he had worn, the people he had hidden from—including himself. The fear of being seen for who he really was, the fear of rejection, had kept him trapped in a world of pretense for so long. But now, the safety of that world had crumbled, and he was left standing at the edge of something unknown.
As he sat there, alone in the stillness, a realization slowly began to form. The role he had been running from all these years—the one he feared most—was the role of being himself. The role that didn’t require a mask, or a script, or a character. The role where he couldn’t hide behind someone else’s story. It scared him more than any villain he had ever played, more than any tragedy he had ever acted out.
He sat there, unmoving, as the weight of the director’s words settled into him. What did it mean to play himself? Could he really step into that role? Was he ready for it? The questions swirled in his mind, and though he didn’t have the answers, something inside him had already begun to shift.
For the first time, he didn’t know where the story would go next.
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Often the prime concern couples have during pregnancy, is about their sex life.
They are concerned about the safety of the baby or
probable injuries that may be caused. Besides the inconveniences during later stages of pregnancy, their
worry is that sex or orgasm may trigger miscarriage due to the contraction and relaxation of the uterus.
The medical truth is that in a case of a normal healthy pregnancy, there is no
reason why the couple cannot have sex unless the doctor has advised something to the contrary.
The couple can keep making love regularly right up to the time
when the water breaks.
Sex Doesn’t Cause Miscarriages Nor Induces Labor
The myth that having sex can bring on labor before the baby is ready to be born is not true.
If the body is not ready to go into labor, having sex will not cause a premature birth, even during later stages of pregnancy.
Also, the concern that the male organ might hit the baby’s head is a myth,
as the baby is placed at a far enough secure distance.
If the baby moves around a bit after orgasm, it only means that the baby’s reacting to the pounding
of the heart or enjoying the rocking movement. He will not feel any discomfort, nor
will have any idea what is happening. The baby is
well covered under layers of flesh and in the amniotic fluid which acts as a
shock absorber.
Can Sex Cause An Infection?
The thick mucous plug that seals the cervix, keeps
the uterus and amniotic sac well protected and insulated from
the outside world and helps guard the baby against infection. However, it should be ensured that the male partner does not
suffer from any STD.
When Sex Is To Be Avoided
There may be certain situations where one has to abstain from sex or be
careful while having sex. Such restrictions are based on the following circumstances:
In a case of vaginal bleeding or spotting in early pregnancy, or a history of
preterm labor, signs of pre-term labor. If there is a history of miscarriages, then the doctor may advise not to have sex until 14 weeks.
In cases of incompetent cervix or a history of cervical weakness or, a low-lying placenta or placenta
previa, the doctor may say it’s best not to have sex for the rest of your pregnancy.
Also, in cases of a vaginal infection, or genital
herpes, sex may be forbidden.
In case any restrictions are placed, then this is to be shared with the partner and
alternatives should be devised to address the issues.
In situations where penetration is not allowed, mutual masturbation can be done to reach the climax.
If having sex is okay but orgasm is out of bounds, then one
can stop before reaching climax. If all such activities are totally banned, then try cuddling, petting, necking etc.
Sexual Drive During Pregnancy
Sexual drive may come down during pregnancy due to the hormones.
Also, any issues in the relationship or the state of mind may affect
the sex drive. As the pregnancy progresses the onset of weight gain,
back pain, and other symptoms tend to reduce the desire
for sex. Also, many women are worried about their appearance and ability to give sexual satisfaction to their
husbands.
The First Trimester is a period full of apprehension and concern, while during the Third Semester, the physical changes and an enlarged belly make sex inconvenient and more
laborious. However, it has been found that during the Second
Trimester, sexual desire in women is on the rise and it is called
the “honeymoon period”.
Sexual Positions During Pregnancy
During the latter stages of pregnancy, the usual man-on-top
or the missionary position may not be found to be convenient any longer.
One can try other several other variations or positions.
A few suggestions are given below.
Side-by-side or Spooning:
As the name suggests, both lie on their sides, a man lies behind
the woman, like two spoons placed together. This position ensures full body contact yet inhibits
deep penetration.
Edge of the bed:
The woman lies on her back with her waist and bottom at the edge of the bed.
Her knees are bent with her feet on the edge
of the bed. The man can either kneel or bend near the edge facing
the woman.
The woman on top:
In this female version of the missionary position,
the woman is on top. As this posture allows the woman to be in control it is said to be
the most satisfying of all.
On the chair:
The man sits on the chair with the woman on his lap, her
back towards him. There is no pressure on the uterus
and the woman can control the speed and depth of penetration by squatting up and
down,
Doggy on knees or kneeling down:
The woman kneels on all fours on the bed and lets the partner approach from behind.
If it is strenuous, then the woman can stand on the floor, bend down taking the support of the bed or sofa.
To conclude, the most important point to note is, sex during pregnancy is
absolutely safe, unless otherwise advised.
In fact, it has been found that having regular sex or having an orgasm during pregnancy
makes it less likely to give birth prematurely!
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